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ARST 556B: Imag(in)ing the Artefact -- COURSE SYLLABUS

 

Program: Master of Library and Information Studies
Year: 2005-2006 Winter Session, Term 2
Course Schedule: Thursdays, 1.30pm – 4.30pm
Location: TEF 320
Instructor: Bonnie Mak
Office location: TEF 347
Office phone: 604-827-5014
Office hours: TBA
E-mail address: bonnie.mak@ubc.ca
Course Web Page: http://www.interpares.org/bmak/arst/556b.html


Course Goal:

The goal of this course is to introduce students to some of the major conceptual issues in the study of visual representation, and to examine how these theories can be brought to bear on the digitisation of artefacts.

Course Objectives

The objectives of this course are:

  • to provide an introduction to theories of representation:
  • to provide a venue for combining both practical and theoretical knowledge about digital imaging; and
  • to develop possible guidelines fo the digitisation fo artefacts

Course Topics:

  • an overview of recent theories of representation, including such themes as:
    * simulation and reproduction
    * virtual reality
    * digital embodiment
  • a critical analysis of some current digitisation projects
  • an identification of needs as yet unaddressed in digital imaging projects

Prerequisites and/or Course Restrictions: ARST 510, or by permission of SLAIS Graduate Adviser

Format of the course: This is a seminar course; discussions will be led each week by students

Required and Recommended Reading : Course Pack will be made available

Course Assignments

Assignment

Due

Weight

Seminar Leadership

 

25%

Seminar Participation

 

25%

Research Paper and Presentation

Paper due: 13 April

50%

Course Schedule

Subject to revision

Week 1

5 January

Introduction

Week 2

12 January

Representation and Authenticity

Week 3

19 January

What is Digital Technology?

Week 4

26 January

Digital Embodiment

Week 5

2 February

Interface

Week 6

9 February

Author, Archivist, Authenticity

Week 7

16 February

Reading Week

Week 8

23 February

InterPARES Week (meetings at Sheraton Wall Centre)

Week 9

2 March

Collection and Collecting Fetishes

Week 10

9 March

Systems of Classification and Exhibition

Week 11

16 March

TBA

Week 12

23 March

No formal class; workshop ideas and papers

Week 13

30 March

Presentations

Week 14

6 April

Presentations


Attendance: The calendar states: “Regular attendance is expected of students in all their classes (including lectures, laboratories, tutorials, seminars, etc.). Students who neglect their academic work and assignments may be excluded from the final examinations. Students who are unavoidably absent because of illness or disability should report to their instructors on return to classes.”

Because this course will be run as a discussion-based seminar, attendance and active class participation is required from all students.

Evaluation: All assignments will be awarded letter grades using the evaluative criteria given on the SLAIS web site.

Final grades will be assessed according to seminar leadership, participation, and the presentation and paper (20–25pp.) of one major research project. Written work should be formatted according to the guidelines set out in the15 th edition of the Chicago Manual of Style.

Please note that grades are not negotiable.

Written & Spoken English Requirement: Written and spoken work may receive a lower mark if it is, in the opinion of the instructor, deficient in English.

Plagiarism: Plagiarism will not be tolerated under any circumstances. Suspected cases will be reported to the appropriate authorities. Those guilty of plagiarism will receive a failing grade and may face expulsion from the University. For more information, see: http://students.ubc.ca/calendar/index.cfm?tree=3,54,0,0