Despite
the immeasurable impact of the printing press and, by extension, the
book, on virtually every facet of human life in the Western world, its
success did not go unchallenged. By the late nineteenth century,
developments in audiovisual technologies, such as film and the
phonograph, were heralded as the harbinger of death for the book.
In 1894, author
Octave Uzanne and illustrator A. Ribar
published a story entitled, “The
End of Books”, in which the narrator declares that the gramophone
will
render the printed word obsolete. All literary works and news
items, the speaker predicts, will be freely available in the future via
cheap, pocket-sized listening devices. And what of
libraries? Well, they would continue to exist but in a modified
form as “phonographoteques” where users could enjoy free and unfettered
access to information stored on records.
Sound familiar?
It should. Much of what the narrator in Uzanne and Ribar’s story
relates has come to pass in one form or another, and yet the book still
exists though, according to some, not for much longer.
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